The Seven Dimensions of Positioning

I don’t like reinventing the wheel, so for months now, I’ve been trying to reconcile everything I know about traditional business (think Peter Drucker and the Harvard Business Review) with all the seductive ideas I’ve been learning from the Lean Startup movement (and I’ll admit I am simultaneously attracted to, and wary of, those ideas). Some instinct led me to focus on a single word: positioning.

It seemed to be the key word, and I think my instincts were correct. I’ve concluded that positioning, defined in a 7-dimensional way, is the single most important word in business. So what is positioning? It is a generalization of the idea of product-market fit. It is the controlled, but not deterministic, crossing of a threshold beyond which the business suddenly seems to come alive and “work.” The emotion changes from depressed to excited. The energy changes from languid to explosive. The rhythms change from weak and uncertain to harmonious, vigorous and steady. Positioning happens when a business has an “Aha!” moment, and discovers identity, profitability and sustainability.  The business has found its groove and tempo (the business word for tempo is clockspeed) Positioning involves throwing seven firing switches from “Off” to “On” position and all 7 cylinders firing steadily enough that anyone in the business can take a real vacation without everything going to hell. [Read more…]

The Greasy, Fix-It ‘Web of Intent’ Vision

The Web of Intent is a term that’s starting to get tossed around a lot, and I’ve gone from being wary about it to believing strongly in it. I was introduced to the term by Nova Spivack about a year ago and was initially skeptical. Could Web ADD be reversed? Can technology give us a true knob to allow us to tune our engagement anywhere from ‘distracted’ to ‘laser focused’? From knee-jerk reactive to coolly deliberate? Actually that’s how I think of the concept: a technology model that gives users this control knob to manage their online experiences:

The evidence is slowly starting to roll in. This conceptual knob can be created through a generation of “Intent” technologies. What’s more, this knob is what will likely save the publishing and media industries.  It will also save our brains from getting fried, and create a new dynamic in the ongoing disruption of all types of information work.

As I thought more about some of the core ideas (see Nova’s posts What’s After the Real-Time Web? and The Birth of the Scheduled Web), I started to understand the power of the model.

This is where I am placing my bets. Not the 3D Web, not the “Mobile/Touch Web”, not the “Internet of Things” and not the “Semantic Web.” Those are important, but secondary. I am going all-in on the “Web of Intent” as the next main act that will reshape the Internet. As I’ll explain later, it is a gritty, greasy, roll-up-sleeves, fix-it vision, that is emerging in response to actual problems, as opposed to a vision born out of new possibilities (combined with the smoking of illegal substances).

So here you go: my primer on what the Web of Intent actually is, in terms of user experience (UX), concepts and technology. We’ll need to start by reframing what Web 2.0 actually is.

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Down with Innovation, Up with Imitation!

Perhaps it is professional burnout, but lately I’ve been getting extremely tired of all the stupid things people say about innovation. Especially stupid positive things. A great deal of the stupidity in the conversation about innovation is driven by the desperate urge to be original for the sake of being original. There is a pervasive, unexamined assumption that originality is always a good thing. Copycats, by Oded Shenkar is a delightful little book that takes on a project that I strongly support: taking down the holy cow of innovation and extolling the virtues of imitation.  Ironically, it is one of the most original business books I’ve read in the last few years. It even manages to say something new about the business case everybody loves to hate: Southwest Airlines.

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A Big Little Idea Called Legibility

James C. Scott’s fascinating and seminal book, Seeing Like a State: How Certain Schemes to Improve the Human Condition Have Failed, examines how, across dozens of domains, ranging from agriculture and forestry, to urban planning and census-taking, a very predictable failure pattern keeps recurring.  The pictures below, from the book (used with permission from the author) graphically and literally illustrate the central concept in this failure pattern, an idea called “legibility.”

States and large organizations exhibit this pattern of behavior most dramatically, but individuals frequently exhibit it in their private lives as well.

Along with books like Gareth Morgan’s Images of Organization, Lakoff and Johnson’s Metaphors we Live By, William Whyte’s The Organization Man and Keith Johnstone’s Impro, this book is one of the anchor texts for this blog. If I ever teach a course on ‘Ribbonfarmesque Thinking,’ all these books would be required reading. Continuing my series on complex and dense books that I cite often, but are too difficult to review or summarize, here is a quick introduction to the main idea.

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The Right Question, Review of Shallows, Insight vs. Mind-Candy

I have three off-ribbonfarm posts this week that should interest you guys.

Is the Internet Making us Smart or Stupid?

A guest post on VentureBeat, my review of Nick Carr’s The Shallows (a book-length build on his Atlantic piece, “Is Google Making us Stupid.”

The Dangerous Art of the Right Question

On the Trailmeme blog. This post seems to have gone somewhat viral via Hacker News, Lifehacker and a couple of other significant mentions. Slightly lighter fare than you guys are used to here, but should still be of interest.

My Remarkable, Famous Graph

Also on the Trailmeme blog, this one is a sort of follow-up to the previous one, examining the emerging world of infographics, using 3 of my own ribbonfarm graphics to examine the difference between mind-candy and true insight graphics.

Head on over, comment etc.

Digital Security, the Red Queen, and Sexual Computing

There is a technology trend which even the determinedly non-technical should care about. The bad guys are winning. And even though I am only talking about the bad guys in computing — writers of viruses, malware and the like — they are actually the bad guys of all technology, since computing is now central to every aspect of technology. They might even be the bad guys of civilization in general, since computing-driven technology is central to our attacks on all sorts of other global problems ranging from global poverty to AIDS, cancer, renewable energy and Al Qaeda. So turning around and winning this war might even be the single most important challenge facing humanity today. Even that bastion of the liberal arts and humanities, The Atlantic Monthly, has taken note, with this excellent feature on how the best security researchers in the world are losing the battle against the Conficker worm. Simple-minded solutions, ranging from “everybody should get a Mac” to “just stick to Web-based apps and netbooks” to “practice better digital hygeine” are all temporary tactical defenses against an adversary that is gradually gaining the upper hand on many fronts. I have concluded that there is only one major good-guy weapon that has not yet been tried: sexual computing. And it hasn’t been tried because major conceptual advances in computer science are needed. I’ll explain what I mean by the term (it is a fairly obvious idea for those who know the background, so there may be more accepted existing terms for the vision), but I’ll need to lay some groundwork first.

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Amy Lin and the Ancient Eye

Last weekend, I went to see Amy Lin’s new show, Kinetics, at the Addison-Ripley gallery in DC (the show runs till April 24;  go). Since I last wrote about her, she has started exploring patterns that go beyond her trademark dots. Swirls, lines and other patterns are starting to appear. Amy’s art  represents the death of both art and science as simple-minded categories, and the rediscovery of a much older way of seeing the world, which I’ll call the Ancient Eye. Yes, she nominally functions in the social skin of a modern “artist,” and is also a chemical engineer by day, but really, her art represents a way of seeing the world that is more basic than either “artistic” or “scientific” ways of seeing.  Take this piece from the Kinetics collection for instance, my favorite, titled Cellular.

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The Turpentine Effect

Picasso once noted that “when art critics get together they talk about Form and Structure and Meaning. When artists get together they talk about where you can buy cheap turpentine.” When you practice a craft you become skilled and knowledgeable in two areas: the stuff the craft produces, and the processes used to create it. And the second kind of expertise accumulates much faster. I call this the turpentine effect. Under normal circumstances, the turpentine effect only has minor consequences. At best, you become a more thoughtful practitioner of your craft, and at worst, you procrastinate a little, shopping for turpentine rather than painting. But there are trades where tool-making and tool-use involve exactly the same skills, which has interesting consequences. Programming, teaching, writing and mechanical engineering are all such trades.

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An Infrastructure Pilgrimage

In Omaha, I was asked this question multiple times: “Err… why do you want to go to North Platte?” Each time, my wife explained, with a hint of embarrassment, that we were going to see Bailey Yard. “He saw this thing on the Discovery Channel about the world’s largest train yard…” A kindly, somewhat pitying look inevitably followed, “Oh, are you into model trains or something?” I’ve learned to accept reactions like this. Women, and certain sorts of infidel men, just don’t get the infrastructure religion. “No,” I explained patiently several times, “I just like to look at such things.” I was in Nebraska as a trailing spouse on my wife’s business trip, and as an infrastructure pilgrim. When boys grow into men, the infrastructure instinct, which first manifests itself as childhood car-plane-train play, turns into a fully-formed religion. A deeply animistic religion that has its priests, mystics and flocks of spiritually mute, but faithful believers. And for adherents of this faith, the five-hour drive from Omaha to North Platte is a spiritual journey. Mine, rather appropriately, began with a grand cathedral, a grain elevator.

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The Expedient, Desirable Product

This is a guest post by Dorian Taylor, with whom I’ve been having a thought-provoking Twitter conversation about design. Here is an interesting pecha-kucha talk by Dorian that kinda explains where he’s coming from.

When I first en­coun­tered the phrase min­imum vi­able prod­uct, I thought to my­self here is a term that is ripe for mis­in­ter­pre­ta­tion by droves of hy­per­prag­matic un­der­grad-​aged startup founder­s with a cheque from Paul Gra­ham and more en­er­gy than sense. Ad­mit­tedly it’s an ap­pealing con­cept even if you don’t fall into that cat­e­gory, but it’s in my na­ture to take things apart and play with them.

My un­der­standing of the goal of the min­imum vi­able prod­uct is to ar­rive at something you can sell in as short a pe­riod as pos­si­ble. Its pur­pose is to get an­swer­s to em­pir­ical ques­tion­s that can only come from cus­tomer­s and users, while at the same time get­ting paid. Awe­some idea. Just a cou­ple of ques­tion­s: [Read more…]