The Rust Age: A Four-Volume Collection

Back in 2012, I selected, clustered, and sequenced the best posts from the first five years of ribbonfarm (2007-12) into 4 collections, which I collectively dubbed the Rust Age. New readers frequently land on the Rust Age page, get lost and annoyed in the link jungle, and email me asking for this early content in ebook format. Thanks to some stellar production and editing work by Jordan Peacock, and cover art by Josiah Norton, the 4 collections have now been turned into 4 Rust Age volumes, available as Kindle ebooks. The books include a glossary and a map to help you navigate.
The revamped Rust Age series page, with short blurbs for each volume, can be found here. Each individual volume also has its own page with links to the included posts (I’ve just updated the 2012 collection posts to include the respective ebook links).

Note: these collections do not include The Gervais Principle, which is also part of the Rust Age and is its own ebook. The Rust Age also includes two books of non-ribbonfarm content: Be Slightly Evil and Tempo.

Damn, that’s SEVEN books out of 2007-2012. And I was holding down a full-time job too then (and wasn’t slacking off at it). I don’t know where I got the energy. When I write my memoirs, I’ll call that period my roaring mid-thirties.

With this beautifully e-boxed four-volume set done, Jordan and I are now turning our attention to the Snowflake Age (2013-17). As you know, we’ve already put out the first of the Snowflake Age volumes: Crash Early, Crash OftenWe are currently working on a second volume, which will be a compilation of Sarah Perry posts, and trawling through the archives looking for more good compilations we can pull together.

Compilation suggestions from long-time readers welcome. We’ve probably missed some patterns backstage here.

Winning Is for Losers

This is a guest post by Jacob Falkovich.

Our world is filled with competition, frenzied ambition in every domain. In Western nations, and above all in the United States, it animates not only economic and financial life, but scientific research and intellectual life as well. Despite the tension and the unrest it brings, these nations are inclined on the whole to congratulate themselves for having embraced the spirit of competition, for its positive effects are considerable.

— Rene Girard, The One by Whom Scandal Comes

I. Eating Dogs

Human life is all about competition, from the micro level to the macro.

We are built by genes that outcompeted their rivals over aeons of natural selection.

Children cooperate less and compete more as they grow older, even when competition is irrational. By the time boys and girls hit puberty they start mercilessly fighting for status, in addition to competing for resources and attention. As people enter the world of dating and finding mates, the competition for status only intensifies. With dating having moved online, everyone competes for the attention of their beloved against thousands of other Tinder matches. And sometimes also with the 5 other people they set up a date with in the same bar. The winner takes it all, and nice guys finish last.

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The Premium Mediocre Life of Maya Millennial

A few months ago, while dining at Veggie Grill (one of the new breed of Chipotle-class fast-casual restaurants), a phrase popped unbidden into my head: premium mediocre. The food, I opined to my wife, was premium mediocre. She instantly got what I meant, though she didn’t quite agree that Veggie Grill qualified. In the weeks that followed, premium mediocre turned into a term of art for us, and we gleefully went around labeling various things with the term, sometimes disagreeing, but mostly agreeing. And it wasn’t just us. When I tried the term on my Facebook wall, and on Twitter, again everybody instantly got the idea, and into the spirit of the labeling game.

As a connoisseur and occasional purveyor of fine premium-mediocre memes, I was intrigued. It’s rare for an ambiguous neologism like this to generate such strong consensus about what it denotes without careful priming and curation by a skilled shitlord. Sure, there were arguments at the margins, and sophisticated (well, premium mediocre) discussions about distinctions between premium mediocrity and related concepts such as middle-class fancy, aristocratic shabby, and that old classic, petit bourgeois, but overall, people got it. Without elaborate explanations.

But since the sine qua non of premium mediocrity is superfluous premium features (like unnecessary over-intellectualized blog posts that use phrases like sine qua non), let me offer an elaborate explanation anyway. It’s a good way to celebrate August, which I officially declare the premium mediocre month, when all the premium mediocre people go on premium mediocre vacations featuring premium mediocre mai tais at premium mediocre resorts paid for in part by various premium-mediocre reward programs.

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Questions Are Not Just For Asking

This is a guest post by Malcolm Ocean

Are questions just for asking? It kind of seems like it. I mean, if you consider the phrase “ask me a ______”, then the blank is obviously “question”. Just like how the blank in “that boggled my _____” is obviously “mind”.

But hang on a sec—boggling is indeed a thing that is only done to minds, but minds are capable of much more than just being boggled! Similarly, asking might be a special feature of questions, but questions are actually a versatile tool that can be used in many other ways.

In order to access those uses though, first you need to know how to comfortably hold a question without immediately asking it. Questions are a kind of creature that is easily startled.

(a panel from an excellent comic by Kostas Kiriakakis on collecting questions)

Effective asking of questions is an important skill. Being able to hold questions without asking them (when that makes sense) is a further skill, much as meta-systematicity builds on systematicity. In particular, operating in the fluid mode, seems to involve a certain kind of spaciousness that’s different than the space that a question holds for an answer. It’s a spaciousness into which you can start noticing your background assumptions and perceptual blindspots.

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The Crisis of the Lonely Atoms

This is a guest post by Alex Hagen

No civilized state will execute
Someone who is ill
Till it makes the someone well
Enough to kill
in a civilized state,
As a poem does.

“Poem does.” Going Fast, Frederick Seidel

The future is a foreign country to be avoided at all costs.

Ask a child to imagine their future.

Firefighter, dancer, doctor, pilot, professional athlete, cop, movie star.

No child says “a forever child.”

Nor do adults often suggest permanent adolescence as a life goal for children.

We are facing a generation of unskilled 20-something men, largely unemployed, largely unconnected, largely irresponsible for a want of anything to be responsible for. They are living no one’s fantasy, but they fantasize constantly inside alternative worlds that provide pleasure and escape from a reality largely ignored. Call them the Lonely Atoms.

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Body Pleasure

Suffering is very serious. Death is very important. Let me instead talk about something else that is becoming both serious and important, as the world gets richer and more awesome: the problem of pleasure.

Excessive leisure time is a problem that has only become widespread in the past century. As non-human intelligences get more sophisticated, it may be the case that human work remains extremely important; however, it may also be that humans are faced with increasing leisure. If that is the case, the critical problem facing humanity will be how to enjoy ourselves. If that seems silly, consider your favorite dystopian images of the future: only humans who understand how to enjoy themselves can demand living conditions in which they are able to do so.

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On Being Nosey

This is a guest post by Michael Dariano

For this it would be great if you were a dog. You’re not. Instead, we’ll need a shovel. A serious shovel. If you have a garden spade don’t even think of bringing it, it won’t be enough. You’ll need a good back too, curiosity’s treasures are a bitch to extract.

Richard Feynman knew this. He recalled being in the woods one summer and all the other dads knew the names of every bird, branch, and bend of the creek. He asked his dad, someone he considered a pretty smart guy, why he didn’t know the names of those things. Feynman’s dad said, names, we don’t need no stinking names. He went on explain that the name of thing tells you nothing about the thing. What younger Feynman learned was that animals share some things in common: how to eat, sleep, and make babies. That’s what mattered, not the names.

To learn the name of something is superficial curiosity. That’s garden spade territory. The names of things are searchable, starting with algorithms. Google can identify cat videos. Treasures need big shovels.

The bestest curiosities are like journeys. “What happens if I destroy the ring?” “What happens if I take the red pill?” “What happens if I follow this man through a tunnel in Chateau d’If?”

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I Can’t Be Your Hero, I’m Too Busy Being Super

This is guest post by Jim Stone.

In the 1930s Dorothy Lucille Tipton took up piano and saxophone, joined the high school band, and developed an aspiration to be a performing jazz musician. By 1940 Tipton began presenting as a man on stage, and adopted the name “Billy”.  Eventually he began presenting as a man in private as well, and he kept his birth-assigned gender identity and female genitalia hidden from everyone (including wives, lovers, and children) until the day he died, at age 74.

Talk about living in a closet.

If she could have advised Billy, Brené Brown might have told him “Dare to be vulnerable. Be yourself. You’ll be happier if you stop caring so much much what people think.”

Maybe. But people don’t generally take on the burdens of inauthenticity without good reason. Often it’s because they want to occupy social roles that allow them to get their physical and psychological needs met, and other people won’t let them play those roles unless they are the right kind of person. Sometimes people put on masks simply to secure the role of “community member” or “citizen” or “human being”.

We can represent Billy’s dilemma as a conflict of self-portraits like this:

If the Private Self is how we see ourselves, the Public Self is how we think others see us, and the Hero Self is how we think others expect us to be in order to fill the social roles we want to fill. We can get a sense for the dynamics involved in reputation management by thinking of the Public Self is a button on a slider that slides between the Private Self and the Hero Self.

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The Ominouslier Roar of the Bitcoin Wave

This post is co-authored by Artem and Venkat

We have been annoyed with the state of blockchain visualizations. On the one extreme, we have the crappy not-even-wrong images of piles of gold coins to represent cryptocurrencies (there are much better visual metaphors you could use). On the other extreme we have stock-market type visualizations designed for salivating traders. It is actually remarkably hard to find good visualizations of the blockchain qua blockchain. Block explorers only give you a lost-in-the-weeds view at individual block and transaction levels.  There is no good, visual, empirically grounded thing you can point to when normies ask you what is this blockchain thing? So we made a video visualizing and audiolizing (there appears to be no auditory equivalent to visualize) the bitcoin blockchain.

In the wave animation above, the x axis is the block number, and the y axis is the amount in unspent outputs at that block location at a given time. One bar represents 300 blocks, and one frame of the video represents a 300-block increase in block height. We also treated the evolving wave as a sound spectrum to create the accompanying audio track. It sounds like a primordial slow roar. Watch with the sound on to hear it.

The wave basically represents value on the blockchain moving forward in time, as transactions move balances from older to newer blocks. “Bitcoins” are actually just moving balances.

This video was the result of a recent straggling chat over several days in the #blockchain channel of the ribbonfarm slack, between Artem and Venkat, with Sarah and Joe joining in occasionally (yes, there is a ribbonfarm slack, and yes, there is a #blockchain channel in it). Editing out several arguments over technical details and idle digressions into how to make your own MRI machines, speculations about an AI that collects all the bitcoin to gain control over humanity, arguments about whether Hedy Lamar was a geek or a nerd, and various other critically urgent and important topics, the conversation went as follows.

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From Monkey Neurons to the Meta-Brain

What can one neuron tell us about brain function?  It can tell if we are looking at a picture of Jennifer Aniston. Brain surgeon and researcher Itzak Fried, in 2005, was probing a certain brain region in patients with epilepsy to pinpoint the source of their seizures.  This is open brain surgery done while the patient is conscious (the brain doesn’t have pain receptors).  These patients agreed to additional probing in the interest of science.  Fried was showing patients pictures, some of famous people, and kept running into neurons that would fire to multiple representations of the same person or object, and to nothing else (within the limited but large set of images used).  “The first time we saw a neuron firing to seven different pictures of Jennifer Aniston–and nothing else–we literally jumped out of our chairs,” recalled R. Quian Quiroga, who did subsequent work on the phenomenon with Fried.

In a study by Quiroga, Fried and others, severe epilepsy patients each had 64 tiny probes implanted in different parts of the brain, to study how the seizures manifested. The patients also agreed to view sets of images while the probes were monitored. A number of invariant responses (the same neuron firing to multiple views of the same person/thing) were found.  “In some patients, Jennifer Aniston neurons would also fire to her fellow actresses in Friends, … But they would never fire to other similar-looking, but otherwise unconnected, actresses” (Nature Magazine).  Either way, a connection was made between a concept and a single neuron.  Finding connections between a specific neuron and one specific memory has been going on for seven decades, and single neuron stimulation has triggered laughter, remembered childhood scenes or hearing snippets of music, but this association, apparently with the concept of a certain person, instantly became and remains a major focus of brain research.

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