Folk Concepts

“Folk concept.” You may have never heard the phrase defined, or even used, but you probably already know what it means. Consider this list:

  • luck
  • Bayes’ rule
  • ghosts
  • vitamin C

Which two are folk concepts?

If you were able to instantly see that luck and ghosts are folk concepts, then you are already in possession of the folk concept of the folk concept. The descriptor “folk” invites the hearer to a conversation about less sophisticated people, behind their back. The slick Latinate precision of “concept” underlines the humor: can you imagine common folk having concepts? While the phrase is not always used as a pejorative, the connotation is slightly negative, and social distance is implied. Connotation – the emotional valence of words – is a crucial element in grasping folk concepts. [Read more…]

CEOs Don’t Steer

There is a pattern to the most influential business writing, in The World is Flat league. Especially writing that CEOs seem to like enough to exhort their organizations to read. Every such work offers one big, unqualified, unquantified, universal proposition. Usually with an obvious black-and-white moral assessment attached as an implied parenthetical [and this is a good thing]. The proposition will typically offer a big generalization covering a really vast range of things going on in the environment: An extreme, if very lossy, compression.

There are no if…then…else conditions attached. There are no temporal markers or spatial delimiters like this will be true between 2017 and 2022 in the developed world.

Compare:

The World is Flat [and this is a good thing] 

to

Under Certain Assumptions, the World Will Likely Continue Flattening for Approximately at Least Another Decade, and This Is a Probably a Good Thing.

This pattern isn’t mere rhetorical pithiness in the title or a distaste for weasliness. It permeates the entire idea being offered. And it exists as a consequence of a CEO trait:

CEOs Don’t Steer [and this is a good thing].

Big business ideas are the way they are because they are designed to feed and nourish this CEO trait. It’s a proposition that, at first sight, sounds both wildly untrue and something that would be really bad if it were true.
[Read more…]

The Blockchain Man

The term Organization Man is a rich one. From it, we can conjure up an image and a life.

It’s a man, not a woman. He’s white, standing somewhere between 6’0 and 6’2. He has a strong chin and medium length light brown hair parted on the left.

He walks from one meeting to the next wearing a dark suit with a pressed white dressed shirt and dark Oxford dress shoes. His wrist holds a watch – nice, but not extravagant, with a brown leather strap and a gold-rimmed face.

More than just an image, you can conjure up a life for The Organization Man, a term coined by William Whyte in his 1956 book of the same name. Even though the novel predates Whyte’s book by 30 years, Sinclair Lewis’ Babbitt (1922) established the archetype perfectly.

Today, the successor of the Organization Man — the Blockchain Man — is starting to emerge. To understand how he might evolve, let us first look back.

[Read more…]

Rectangle Vision

It’s probably not a good idea to look directly at the rectangles.

If you get into this mode – Rectangle Vision – you wake up in the morning on your rectangle. You lift your head off of its rectangle and toss aside the rectangles wrapped around you, still holding your body’s warmth. You pull a string to lift the sheet of rectangles covering the rectangle in the wall and let the light stream in. You pick up your rectangle to check the time, and perhaps touch a rectangle inside of it, to see all the latest rectangles to make you mad.

You step through a rectangle to leave the bedroom, step through another to wash (perhaps using a cuboid of soap), dry your skin and hair with a rectangle, and check out your reflection in the rectangle. Make your way to the kitchen and open up the rectangle that shields the cold things; perhaps open another rectangle to warm something up. Take it from the counter rectangle and eat it on the table rectangle, sitting on a rectangular platform. Wipe your face with a rectangle. Leave the house through the rectangular portal, making sure you carry your necessary rectangles for identification, payment, work, and entertainment. Then you really enter the land of rectangles: the walls, the steps, the parking spaces, the sidewalk blocks, the signs, the crosswalks, the vents and gratings, all the windows, and every discarded wrapper of a rectangular eyeglass wipe.

Where did all these rectangles come from? There are few rectangles in nature; those that do form (e.g., tessellated pavements) are objects of wonder and mystery, precisely because rectilinear forms present to us as the work of man. This is why the rectangular cuboid monolith in 2001: A Space Odyssey is so evocative: without saying so, it’s understood that a regular cuboid like this is the work of intelligence like ours.
[Read more…]

“It’s Only Cannibalism if We’re Equals”

This is a guest post by Graham Warnken.

Almost all accounts of cannibalism throughout the years agree on one thing: it’s a communal affair. Native funeral parties consume the flesh of the departed in a ritual of respect and grief. Foreign warriors devour foes in cruel rites of victory. A group of desperate survivors stranded on the sea or in a mountain pass draw straws to see which poor soul will offer himself up.

No matter the situation, the many consume the one—the deceased is partitioned out amongst his friends and relations, the defeated champion doled out to boost morale, the weakest link sacrificed that his companions might live. The latter in particular, while it doesn’t remove the central horror of the act, does possess a certain sense of justice. It allows us to see cannibals as more than monstrous. When we think of the Donner party, we don’t recoil in terror. We feel revulsion, but we understand. The doomed pioneers’ act, born of desperation, was all that allowed the community to scrape through its frigid circumstances, minus a few members.

In the Enlightenment era, this communal cannibalism was an excellent example of the bounds of natural law. Cătălin Avramescu’s An Intellectual History of Cannibalism describes the general philosophical view of anthropophagy by way of necessity:

When danger threatens us and another equally, we are obliged to think first of ourselves [. . .] we must set precedence on our own interests, when they enter into conflict with those of another. [. . .] If we accept that necessity—evident and unproblematic in the case of killing [an] aggressor—can excuse an action that is illicit in itself, then on the basis of this reasoning we must also tackle the aberration of forced cannibalism, since it is directed by the same natural and legal resorts.

As with any philosophical topic, there was a mind-numbing degree of back-and-forth about the anthropophagus over the course of the Enlightenment, chiefly because he functioned as a pawn in the larger game of whether or not natural law is valid. But the general philosophical consensus was clear. In cases where cannibalism is necessary for the survival of the community, it is abhorrent but permissible.

[Read more…]

The Internet of Electron Microscopes

This is a guest post by Chenoe Hart

After you have stared at your computer screen for a while, it’s recommended that you give your eyes a break to refocus on a more distant outside view. In past years when our monitors looked more like boxes than tablets, you might have already been looking into such a space. The perception of digital content on the screens of CRT displays was inextricably accompanied by the additional perspective lines of the monitor enclosure extending behind it. Expanses of beige plastic stretching past the foreground of your observation might make the eyes operate in a slightly different manner compared to our modern condition of viewing flat panels whose minimal depth renders them closer to two-dimensional apparitions. We always knew that the internet was an ephemeral entity presented in translation from abstract code into pixels on our screen, but our immediate sensory feedback perceived it to be the front of a three-dimensional box possessing further physical extension.

Construction photograph of the interior of the Statue of Liberty, from the U.S. Library of Congress.

Many of the words we commonly used to describe the early emerging internet reference an implicit dimensionality: “cyberspace” was non-ironically used as a descriptive term, we explored it those spaces through “web portals,” and the act of “surfing” the web implied negotiating the surface of a physical mass which contained further inaccessible fathoms underneath. The “-tron” suffix marketing the electron gun technology used in those CRTs became the name of a film in which our computers contained an alternate universe of extending light grids. Before “the cloud” gained popularity as an ephemeral metaphor abstracting away the details of how we store our data in other people’s computers, The Matrix rendered the physicality of the internet as a dark enclosed underworld of forbidden knowledge.

[Read more…]

Common Sense Eats Common Talk

This is a guest post by Stefano Zorzi.

In November 2008, with the financial crisis in full swing, Queen Elizabeth attended a ceremony at the London School of Economics. Facing an audience of high ranked academics, she posed a simple question: “Why did nobody notice it?”

How could it be that no one among the smartest economists, commentators, and policymakers in all her kingdom – and beyond – had been able to see the formation of a bubble of such dimensions?

Illustration of The Emperor’s New Clothes by Vilhelm Pedersen, Andersen’s first illustrator

And yet critical facts were readily available – facts that could have warned about the craziness of the housing market, on which an even bigger financial house of cards had been erected. A short trip to a “regular” American neighbourhood – like the one undertaken by Mark Baum in The Big Short – would have presented an endless list of properties under foreclosure, real estate agents openly bragging about the laxity of credit requirements, and exotic dancers with multiple mortgage-financed properties.1

Such evidence would have been sufficient to convince most people of the existence of a bubble. However, in London, New York and the other financial centres of the world, an entire class of experts kept blatantly ignoring the facts, anecdotal evidence, and common sense that could have anticipated what was about to happen.

This is a high profile example of a more general situation in which a narrative establishes itself and resists being disproven, even when it is clearly contradicted by information right under our noses. Like the crowd in Hans Christian Andersen’s famous parable, we watch our sovereign parading naked in the street, but are unable to see through his invisible clothes. Until a young boy steps forward and with a little common sense lifts the veil on our “common talk”.

[Read more…]

How to Make History

In the past year, I’ve found myself repeatedly invoking, in all sorts of conversations, a hierarchy of agency with three levels: labor, making, and action. Here’s a visualization. The annotations on the left characterize the kind of agency. The annotations on the right characterize the locus where it is exercised, and the associated human condition.

The hierarchy is based on Hannah Arendt’s Human Condition, so I’ve named the visualization the Arendt hierarchy.

A mnemonic to remember the distinctions is mark time or make history. In everything you do, from posting a tweet or buying a coffee to running for President or tackling the Riemann hypothesis, you must choose between two extreme contexts: to either mark time with labor, or make history with action. In between there is a third context, where you can choose to slow time, which includes any sort of making, including art and trade (which is making in the sense of market-making). Naturally, Arendt thought (as do I) that you must choose action and history-making as much as possible. That is what it means to be fully human.

The scheme is non-intuitive, but once you’ve internalized the concepts, they turn out to be weirdly useful for thinking about what you’re doing and why, whether it is futile or meaningful, nihilistic or generative.

[Read more…]

The World As If

This is an account of how magical thinking made us modern.

When people talk about magical thinking, it is usually as a cognitive feature of children, uneducated people, the mushy-minded, or the mentally ill. If we notice magical thinking in ourselves, it is with a pang of shame: literate adults are supposed to be more sophisticated than that. At the same time, magical thinking is obviously rampant in the world. It’s hard not to be fascinated, even if it’s a horrified fascination.

Matthew Hutson’s popular book The 7 Laws of Magical Thinking attempts to get beyond the low-status connotations of magical thinking, as indicated in the subtitle (How Irrational Beliefs Keep Us Happy, Healthy, and Sane). Hutson notes that the concept of magical thinking is vague and problematic. He quotes Carol Nemeroff and Paul Rozin:

[T]he variety of things to which [magic] refers is far-reaching, ranging from a social institution characteristic of traditional societies, to sleight-of-hand or parlor tricks, to belief in unconventional phenomena such as UFOs and ESP, to sloppy thinking or false beliefs, and even to a state of romance, wonder, or the mysterious. One must at least entertain the possibility that there is no true category here at all. Instead, the term “magic” in current usage has become a label for a residual category—a garbage bin filled with various odds and ends that we do not otherwise know what to do with.

(Nemeroff, C., an P. Rozin, 2000, “The Making of the Magical Mind,” p. 1)

[Read more…]

The Rust Age: A Four-Volume Collection

Back in 2012, I selected, clustered, and sequenced the best posts from the first five years of ribbonfarm (2007-12) into 4 collections, which I collectively dubbed the Rust Age. New readers frequently land on the Rust Age page, get lost and annoyed in the link jungle, and email me asking for this early content in ebook format. Thanks to some stellar production and editing work by Jordan Peacock, and cover art by Josiah Norton, the 4 collections have now been turned into 4 Rust Age volumes, available as Kindle ebooks. The books include a glossary and a map to help you navigate.
The revamped Rust Age series page, with short blurbs for each volume, can be found here. Each individual volume also has its own page with links to the included posts (I’ve just updated the 2012 collection posts to include the respective ebook links).

Note: these collections do not include The Gervais Principle, which is also part of the Rust Age and is its own ebook. The Rust Age also includes two books of non-ribbonfarm content: Be Slightly Evil and Tempo.

Damn, that’s SEVEN books out of 2007-2012. And I was holding down a full-time job too then (and wasn’t slacking off at it). I don’t know where I got the energy. When I write my memoirs, I’ll call that period my roaring mid-thirties.

With this beautifully e-boxed four-volume set done, Jordan and I are now turning our attention to the Snowflake Age (2013-17). As you know, we’ve already put out the first of the Snowflake Age volumes: Crash Early, Crash OftenWe are currently working on a second volume, which will be a compilation of Sarah Perry posts, and trawling through the archives looking for more good compilations we can pull together.

Compilation suggestions from long-time readers welcome. We’ve probably missed some patterns backstage here.