A Glitch in the Theocratic Matrix

December 14, 2017 By

When I was a kid — I was about 12 I think —  and relatively new to atheism and its social burdens, I had a little run-in with a sincerely religious classmate. He simply would not believe that my non-belief in religion was even possible. He was sure I was lying or being provocative for the hell of it. As a test, he pulled out a little picture of his favorite god from his wallet, and dared me to tear it up. I did, and he was suitably shocked. After a moment of stunned speechlessness, he said something weak, like “err… oh wow!”

I was reminded of this little episode when a little clip from CNN did the rounds a couple of days back. It features a religious conservative being visibly stunned speechless by the revelation that you do not need to swear on the Bible to assume an elected office in the United States. Ted Crockett really appeared to believe that a Muslim politician could not hold office because “You have to swear on a Bible to be an elected official in the United States of America…a Muslim cannot do that, ethically, swearing on the Bible.”

Like my old schoolmate, this guy was genuinely shocked to learn he was wrong in a fairly trivial way. Unlike my old schoolmate, however, we’re not talking about a 12-year old boy. We’re talking about a man who appears to be in his late fifties or sixties, and has held an elected office.

Like many others, once I was done chuckling, I found myself wondering: how is it even possible to arrive at, and hold, this particular sort of bizarre false belief, about swearing-in ceremonies being necessarily tied to the Bible in a non-theocratic state?

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Feeling the Future

December 7, 2017 By

In After Temporality, I wrote about the phenomenology of the ordinary, healthy experience of time. I wrote this as an outsider, because my own experience of time is not normal. Here, I focus on the phenomenology of time in psychopathological states (prefrontal brain injury, schizophrenia, mania, and depression). What can breakdowns in the experience of time reveal about how the brain constructs time under ordinary circumstances?

In my previous article, I used the word “chronesthesia” to refer to the sense of time: awareness of one’s past and future, coupled with the ability to do “mental time travel,” assembling appropriate memories and projecting the self into imagined possible futures. This is a rather cognitive and bloodless way to describe an alleged sense. But the psychopathological time experience suggests that the experience of normal time is produced and guided by emotion. We feel the future as much as we think it. The feeling of time is instantiated in our bodies out to our skin, and beyond, in the felt bodies of others with whom we synchronize.

In the phenomenological account, there are two modes of being that are relevant here. The first is the absorbed state: proficiently using tools without awareness of the tools as such. Picture driving a car. One is not aware of the motions of one’s hands and feet, or of the internal workings of the automobile. One is simply absorbed in going someplace, and possibly thinking of other things, or even socializing. The second mode is the breakdown state, initiating conscious awareness of oneself and one’s equipment. The brain “wakes up” to some aspect of the environment, because it has failed to accord with previous unconscious predictions. Imagine the gas pedal stops working and the car slows to a halt. Now one pops out of absorbed state into a state of simply using the car, and becomes aware of the car as a thing (a broken thing).

It is the same with time. In the ordinary case, time is invisible. The experience of time is one of absorption. Only when there is a problem do we become conscious of time, and of ourselves in time.
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Prolegomena to Any Dark-Age Psychohistory

November 30, 2017 By

When I think about history, the picture in my head is that of a roiling canvas of many choppy, intertwingled narrative streams, enveloped by many-hued nebulous fogs of mood and temper. Star-like cosmic irruption-events, ranging from discoveries to disasters, wink through from the void, disturbing the flow of human affairs and forcing steering imperatives onto those living through them. The picture is as much a portrait of a sentimental sense of history, as it is a map of an unfolding gestalt of events.

When I try to capture this poetic mental image in a drawing however, all I get is the kind of crappy cartoon you see below.

It’ll  do to get the idea across though. This particular sample from my doodle files is what contemporary American history looks like to me today: a generally well-defined low-fog Blue story, getting interrupted by less well-defined, high-fog Red tendrils.

It is this kind of image that is conjured up for me when I ask myself the question many are asking today: Are we in a Dark Age?

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The Leaning Tower of Morality

November 28, 2017 By

Don’t hate the player, hate the game. — Ice-T

Game theory is asleep, cooperate for no reason. — Deity of Religion

There’s an image that’s taken root in my mind recently that I can’t seem to shake. I picture humanity living in a large, rickety tower, tilting at a precarious angle to the ground — like so:

The tower represents our capacity for moral behavior. Lower levels are more base; higher levels, more virtuous. We don’t need an exact floorplan, but here’s the kind of thing I’m imagining:

  • Ground floor: Perfect zero-sum selfishness. Aggression and exploitation. The war of all against all.
  • Middle floors: Various flavors of mutualism. “I’ll help you if you help me.” Reciprocity. Tit for tat.
  • Higher floors: Empathy and compassion. Turning the other cheek. True virtue (not just signaling). A tendency to cooperate in one-shot prisoner’s dilemmas.
  • Penthouse: Perfect self-sacrificing altruism. A willingness to give time, energy, money, or even one’s life to help a stranger for nothing in return.

Now, some people inhabit higher floors than others, but with the exception of bona fide psychopaths, all of us live somewhere in the tower, happily above ground.

Here’s the question I want to explore today: How does this structure remain standing? On what ultimate explanatory principles do our moral instincts rest?

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Folk Concepts

November 16, 2017 By

“Folk concept.” You may have never heard the phrase defined, or even used, but you probably already know what it means. Consider this list:

  • luck
  • Bayes’ rule
  • ghosts
  • vitamin C

Which two are folk concepts?

If you were able to instantly see that luck and ghosts are folk concepts, then you are already in possession of the folk concept of the folk concept. The descriptor “folk” invites the hearer to a conversation about less sophisticated people, behind their back. The slick Latinate precision of “concept” underlines the humor: can you imagine common folk having concepts? While the phrase is not always used as a pejorative, the connotation is slightly negative, and social distance is implied. Connotation – the emotional valence of words – is a crucial element in grasping folk concepts. [Read more…]

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CEOs Don’t Steer

November 9, 2017 By

There is a pattern to the most influential business writing, in The World is Flat league. Especially writing that CEOs seem to like enough to exhort their organizations to read. Every such work offers one big, unqualified, unquantified, universal proposition. Usually with an obvious black-and-white moral assessment attached as an implied parenthetical [and this is a good thing]. The proposition will typically offer a big generalization covering a really vast range of things going on in the environment: An extreme, if very lossy, compression.

There are no if…then…else conditions attached. There are no temporal markers or spatial delimiters like this will be true between 2017 and 2022 in the developed world.

Compare:

The World is Flat [and this is a good thing] 

to

Under Certain Assumptions, the World Will Likely Continue Flattening for Approximately at Least Another Decade, and This Is a Probably a Good Thing.

This pattern isn’t mere rhetorical pithiness in the title or a distaste for weasliness. It permeates the entire idea being offered. And it exists as a consequence of a CEO trait:

CEOs Don’t Steer [and this is a good thing].

Big business ideas are the way they are because they are designed to feed and nourish this CEO trait. It’s a proposition that, at first sight, sounds both wildly untrue and something that would be really bad if it were true.
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The Blockchain Man

October 10, 2017 By

The term Organization Man is a rich one. From it, we can conjure up an image and a life.

It’s a man, not a woman. He’s white, standing somewhere between 6’0 and 6’2. He has a strong chin and medium length light brown hair parted on the left.

He walks from one meeting to the next wearing a dark suit with a pressed white dressed shirt and dark Oxford dress shoes. His wrist holds a watch – nice, but not extravagant, with a brown leather strap and a gold-rimmed face.

More than just an image, you can conjure up a life for The Organization Man, a term coined by William Whyte in his 1956 book of the same name. Even though the novel predates Whyte’s book by 30 years, Sinclair Lewis’ Babbitt (1922) established the archetype perfectly.

Today, the successor of the Organization Man — the Blockchain Man — is starting to emerge. To understand how he might evolve, let us first look back.

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Rectangle Vision

October 5, 2017 By

It’s probably not a good idea to look directly at the rectangles.

If you get into this mode – Rectangle Vision – you wake up in the morning on your rectangle. You lift your head off of its rectangle and toss aside the rectangles wrapped around you, still holding your body’s warmth. You pull a string to lift the sheet of rectangles covering the rectangle in the wall and let the light stream in. You pick up your rectangle to check the time, and perhaps touch a rectangle inside of it, to see all the latest rectangles to make you mad.

You step through a rectangle to leave the bedroom, step through another to wash (perhaps using a cuboid of soap), dry your skin and hair with a rectangle, and check out your reflection in the rectangle. Make your way to the kitchen and open up the rectangle that shields the cold things; perhaps open another rectangle to warm something up. Take it from the counter rectangle and eat it on the table rectangle, sitting on a rectangular platform. Wipe your face with a rectangle. Leave the house through the rectangular portal, making sure you carry your necessary rectangles for identification, payment, work, and entertainment. Then you really enter the land of rectangles: the walls, the steps, the parking spaces, the sidewalk blocks, the signs, the crosswalks, the vents and gratings, all the windows, and every discarded wrapper of a rectangular eyeglass wipe.

Where did all these rectangles come from? There are few rectangles in nature; those that do form (e.g., tessellated pavements) are objects of wonder and mystery, precisely because rectilinear forms present to us as the work of man. This is why the rectangular cuboid monolith in 2001: A Space Odyssey is so evocative: without saying so, it’s understood that a regular cuboid like this is the work of intelligence like ours.
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“It’s Only Cannibalism if We’re Equals”

October 2, 2017 By

This is a guest post by Graham Warnken.

Almost all accounts of cannibalism throughout the years agree on one thing: it’s a communal affair. Native funeral parties consume the flesh of the departed in a ritual of respect and grief. Foreign warriors devour foes in cruel rites of victory. A group of desperate survivors stranded on the sea or in a mountain pass draw straws to see which poor soul will offer himself up.

No matter the situation, the many consume the one—the deceased is partitioned out amongst his friends and relations, the defeated champion doled out to boost morale, the weakest link sacrificed that his companions might live. The latter in particular, while it doesn’t remove the central horror of the act, does possess a certain sense of justice. It allows us to see cannibals as more than monstrous. When we think of the Donner party, we don’t recoil in terror. We feel revulsion, but we understand. The doomed pioneers’ act, born of desperation, was all that allowed the community to scrape through its frigid circumstances, minus a few members.

In the Enlightenment era, this communal cannibalism was an excellent example of the bounds of natural law. Cătălin Avramescu’s An Intellectual History of Cannibalism describes the general philosophical view of anthropophagy by way of necessity:

When danger threatens us and another equally, we are obliged to think first of ourselves [. . .] we must set precedence on our own interests, when they enter into conflict with those of another. [. . .] If we accept that necessity—evident and unproblematic in the case of killing [an] aggressor—can excuse an action that is illicit in itself, then on the basis of this reasoning we must also tackle the aberration of forced cannibalism, since it is directed by the same natural and legal resorts.

As with any philosophical topic, there was a mind-numbing degree of back-and-forth about the anthropophagus over the course of the Enlightenment, chiefly because he functioned as a pawn in the larger game of whether or not natural law is valid. But the general philosophical consensus was clear. In cases where cannibalism is necessary for the survival of the community, it is abhorrent but permissible.

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The Internet of Electron Microscopes

September 28, 2017 By

This is a guest post by Chenoe Hart

After you have stared at your computer screen for a while, it’s recommended that you give your eyes a break to refocus on a more distant outside view. In past years when our monitors looked more like boxes than tablets, you might have already been looking into such a space. The perception of digital content on the screens of CRT displays was inextricably accompanied by the additional perspective lines of the monitor enclosure extending behind it. Expanses of beige plastic stretching past the foreground of your observation might make the eyes operate in a slightly different manner compared to our modern condition of viewing flat panels whose minimal depth renders them closer to two-dimensional apparitions. We always knew that the internet was an ephemeral entity presented in translation from abstract code into pixels on our screen, but our immediate sensory feedback perceived it to be the front of a three-dimensional box possessing further physical extension.

Construction photograph of the interior of the Statue of Liberty, from the U.S. Library of Congress.

Many of the words we commonly used to describe the early emerging internet reference an implicit dimensionality: “cyberspace” was non-ironically used as a descriptive term, we explored it those spaces through “web portals,” and the act of “surfing” the web implied negotiating the surface of a physical mass which contained further inaccessible fathoms underneath. The “-tron” suffix marketing the electron gun technology used in those CRTs became the name of a film in which our computers contained an alternate universe of extending light grids. Before “the cloud” gained popularity as an ephemeral metaphor abstracting away the details of how we store our data in other people’s computers, The Matrix rendered the physicality of the internet as a dark enclosed underworld of forbidden knowledge.

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