A Life with a View

There is a memorable exchange in the Seinfeld episode The Keys, between Kramer and George on the theme of yearning. Unlike much of the show’s humor, which seems dated in the digital era, this little existential joke has improved with age:

Kramer: Do you ever yearn?
George: Yearn? Do I yearn?
Kramer: I yearn.
George: You yearn.
Kramer: Oh, yes. Yes, I yearn. Often, I…I sit…and yearn. Have you yearned?
George: Well, not recently. I craved. I crave all the time, constant craving…but I haven’t yearned.

You can imagine a more poignant version of this conversation over an iPad showing a Facebook feed. The Internet, with its constant parade of lives-that-might-have-been-yours and classmates-not-dated, is a jungle of yearnings. Yearnings that were once confined to fading and static memories of childhood, occasionally awakened by petrichor, now sneak into your life as a steady, colorful stream of living confusion, via windows in present realities. There was no equivalent in the past to being a silent spectator of other lives by default. You either had active, evolving relationships of mutual influence, or mutual invisibility. Like passengers on subways, we only saw people on other routes at stations. There were no relationships of continuous mutual spectatorship.

There was no such thing as a life with a view. 


Curiously, Kramerian yearning seems to have entirely disappeared from my own life, even as I have become more aware of its increased intensity in the lives of others. I think it is because I have a home on the Internet. If you only visit the Internet, it becomes a place of intensified yearning. But if you live on it, yearning seems to give way to newer, as-yet-unnamed feelings.

There is a strong relationship between home and yearning. When you are young, you yearn to get away from home. As you age, you yearn to find home again. For some, this means a return to home. For others, it becomes a realization that such a return is impossible. You’ve changed too much, and home has changed too much as well. Even if you manage to return, it isn’t the same.

Kenneth Grahame’s classic The Wind in the Willows is an excellent introduction to elemental yearnings and archetypal responses to it.

The responsible Mole begins the story as a sort of upstanding citizen experiencing a mid-life crisis, abandoning his home in the middle of spring-cleaning to go adventuring. Later in the book, deep homesickness descends on him.

The childlike and capricious Toad of Toad Hall (a trust-fund kid of sorts) restlessly seeks external stimulation, repeatedly cycling through excitement and boredom, never stopping to reflect on the nature of his urges or gaining any self-awareness. Toad frustrates the others no end, since they are forced to watch out for him, but his is such a pure and innocent energy that they cannot resist being roped into his escapades.

On the riverbank, Rat lives a life of gentle and complacent hedonism, confident that his home is the best place to be, and his lifestyle the only kind worth living. He is something like a caricature of a Leibnizian optimist, convinced that all is for the best in this best of all possible worlds. Like a high school sports star who never leaves the small-town scene of his early triumphs, Rat has a certain shallowness that makes him entirely immune to deeper yearnings, and forcefully resists any suggestion that there might be a world beyond the riverbank worth engaging. His redeeming qualities are his fundamental kindness and his willingness to go along on adventures to support his friends.

And finally, there is Badger, the adult of the gang, the only one with the toughness to live a life in the Wild Wood. A crotchety hermit who watches over the innocent lives of the others, with a sure sense of both the world and his place within it.

I like to think I’ve evolved from Toad to Rat to Mole to Badger, and that the Internet — the Wild Wood of our world — is my home.


I just returned from a three-week trip to Europe and India. It was my first long international trip with an international data plan for my smartphone. It was also my first trip to India since I established a full-time online homestead here, for life and work.

The effect of even a minimal digital tether to an online home is interesting. You can never be homesick again.

I stopped thinking of India as home soon after I left it in 1997, but I never did put down psychological roots anywhere else. For that you need to develop a large network of local friends, favorite local haunts and intense local loyalties.

Seattle seems most like home to me, but only in relative terms. It is a curiously polarized city, divided between passionately local metro mice and cloud mice with dispassionate, globalized sensibilities. There is no middle, and I am definitely part of the latter group. I appreciate the views and the piroshkys at Pike Place (which is, rather dangerously for my health, just a block away from my new apartment), but am entirely immune to the temptations of Seahawks fandom.

But truth be told, I am discovering, like many, that my home is really where the Internet is. A meme that did the rounds recently, showing a revised picture of Maslow’s hierarchy, with wifi at the bottom, is truer than geo-supremacists like to admit.

(source unknown)

(source unknown)

In the geography-first world, people used to talk of first, second and third cultures. First cultures are the local cultures of people who’ve never been anywhere else except as tourists. Second cultures are the cultures of immigrants with clear memories of home. Third cultures are those created by children of global nomads in professions like diplomacy, with no such memories.

I proposed on Twitter that those who find a sense of home on the Internet ought to be called zeroth culture people. Some objected and argued that it ought to be a fourth culture, but I stick by my proposal. The Internet is becoming the primary locus of all cultural experience. It increasingly frames our experience of first, second and third cultures.

When you first explore the online world, with your feet firmly planted offline, it can seem ephemeral and insubstantial. But once you tentatively and gingerly plant your feet online, it is the offline world that starts to seem ephemeral and insubstantial. The world of offline-first people (or worse, offline-only) seems like a world of people living lives without real views. Lives full of unacknowledged and unprocessed yearnings.

Because home is not the locus where you live your life, but the locus from which you make sense of it. Home is a place that supplies a stable perspective on the world and your place within itHome is a place from which you can properly experience a life with a view, without censorship, without having to make up narratives about the superiority of your little local world.


There is an effective technique to generate yearning in literary fiction. This is to provide characters with a piquant glimpse into an alternative perspective on their own lives. An example is Lost in Translation, Sofia Coppola’s tale of two strangers who briefly hold up mirrors to each other’s lives. Another is American Beauty, which offers up an entire menagerie of yearning characters reacting to disquieting views of their lives, mirrored in the eyes of others.

The technique is a subtler version of the coarse two-world structure of the Hero’s Journey. In the Hero’s Journey, you have, instead of an alternative perspective on reality, an entire different reality. Muggle world, wizarding world. Matrix-world, real-world. Batman’s world, Bruce Wayne’s world. X-Men world, non-mutant world.

The device is too crude to arouse or satisfy vicarious yearning, which is among the more subtle of emotions.  But when a human mirror is used to gently decenter the primary world view of a protagonist, without necessarily taking him out of it, we get a character who yearns, and responds to yearning in his own world. The Hero is drawn out of his life by an external force. The yearner is propelled by inner restlessness.

Like Cosmo Kramer, the character of Harry “Rabbit” Angstrom in John Updike’s Rabbit, Run yearns. A former high school basketball star, and not particularly self-aware, Harry is an insignificant creature who can only respond to his angst by running, not away from his life, but around his life in circles.

We meet Rabbit at age 27, and through the exquisite series, we see his yearning carry him through unsatisfying affairs, past his own unexamined small-town conservatism and banal racism to a middle age of estranged relationships and heart attacks. It is a life of slow unraveling, whose most tragic element is that he learns almost nothing by living it. The modest redemption he achieves at the end only serves to highlight the tragedy of his mute, almost animal-like, suffering.

Yearning is a dangerous but irresistible force. Perhaps the most practical use of philosophy is to render it safe.


To yearn is to re-examine your life from a new perspective and find it wanting. But this isn’t a simple sort of mind expansion. Yearning is an awakening to an expanded understanding of your life; one that makes  it seem at once richer and less satisfying than you thought it was. To yearn is to simultaneously realize that there is more to your life than you thought, and that it is not enough.

Which is why, the predictable reaction to a yearning is restlessness; a searching for fulfillment through wandering. In the case of the Seinfeld episode, Kramer awakens to the poverty of his own life thanks to Jerry reclaiming his spare apartment key, forcing him into a realization that he’s been living vicariously through Jerry. Newly alive to the nature of his own life, he heads across the country to pursue a career in Hollywood. Of course, the story that begins as a spiritual journey devolves into charming comedy.

Kramer’s is the farcical version of the quiet tragedy that is Rabbit’s life. Of the two, Kramer’s is the more realistic fate. We may give in to yearning, but we gratefully accept the first stimulating distraction that can derail us from a journey we fundamentally do not want to undertake. A journey we began only because not leaving would have been even less bearable. So when yearnings take root, hijinks ensue shortly after, and the sense of the ludicrousness of our response to yearning is part of what leads us back to our old, sensible life.

As Bender once exclaims angrily on Futurama, “I was forced to go on a spiritual journey, I hate those!”


It is no accident that in the best stories, yearning is triggered by poignant encounters with strangers. By what I called game breaks in a previous post: moments of uncontracted intimacy, often between strangers who meet while traveling.

To be seen is to be made sense of from a perspective other than one’s own. A perspective that rings unfamiliar but true. A perspective that makes your own estimate of your life seem, for a moment, alien and somewhat repulsive. It is a moment of unexpected and unsettling vulnerability. The more complete and settled your sense of your own life, the more vulnerable you are during such moments, and the more deeply the seed of restlessness is planted.

Even in the safest-seeming encounters, there is a stab of fear mingled with relief: fear at being exposed for who you are, relief at finding connection. Whether the sense of connectedness prevails or the fear, the moment is fleeting. Defenses return, but not before restlessness — and fear, uncertainty and doubt along with it — sneaks in. Yearning is a case of the world sneaking inside the tempo of your life.

The first time this happens is the first time you realize that home is about perspective rather than situation.

The realization is rarely a conscious one though. Indeed, most encounters that trigger yearning are not consciously processed. Like Toad in Wind in the Willows, and Rabbit in Updike’s novels, most people respond to the tug of yearning with an instinctive decision to run. If self-awareness never dawns, you never stop running. The best you can hope for is a series of temporary forgettings of the force that propels you to run.

If the realization is a conscious one, or if self-awareness descends at some point, life turns into a restless seeking of a situation that offers the truest perspective of itself, a center invulnerable to the tug of yearning, a place of seeing-without-being-seen. You realize that the primary measure of a life-with-a-view is a reflexive one: the view it offers of itself.

In the past, the path open to conscious, self-aware yearners was no different from the one open to the unconscious yearners: you had to run.

Today, there is nowhere to run physically. Nowhere can you reliably find moments of uncontracted intimacy with strangers, shrouded in bubbles of disconnection from everyday life.

But you can run away from home online, and search for the truest perspectives of the life you have, without ever leaving it. Because the Internet is a shifting geography of evolving perspectives, not static places.

And you can find game-breaks online, but only if you make a real home there, so you can be seen. To seek only to see through the Internet is to experience only half of it, as a tourist.

If you do make a home online, at times the Internet can start to seem like a place of continuous casual intimacy among strangers. That’s part of what makes it more real than the real world.


You can make a home on the Internet and be seen there, but you cannot arrive there. Home on the Internet can only be a point of departure. Arrival is fundamentally a metaphor that can only work with static or slow-changing geographies, defined by fixed relationships among sets of long-term neighbors. My 2012 map of my Internet neighborhood is already laughably obsolete. One of these days, I will update it with a new snapshot, but it will still only be an instantaneous snapshot, not a navigable map.

The metaphor of the stream is more appropriate for the zeroth culture of the Internet. You can only join the Internet and let your life evolve along with it for as long as you can stand the constant churn of perspectives around you. The idea of A-list and B-list Internet celebrities is doubly incoherent: it represents an online version of the arrival fallacy.

Offline, we understand the arrival fallacy as unironic belief in a scripted path of progress towards the a good life. To be a sophisticate today is to laugh at the notion that life begins when one settles down by progressively checking off a set of boxes: graduation, car, marriage, mortgage, kids, making partner at the law firm. To arrive is to complete the checklist.

The arrival fallacy is about seeking a life from which one can look with a complacent equanimity upon the rest of reality, without yearning. It is an ideal of a life that is defined primarily by blindness to itself. You yearn while you see your life as others see it, until you arrive at a situation where you can disappear into the broader background, and see comfortably without being seen discomfittingly, especially by yourself.

Once you’re there, the yearning stops, so the theory goes. Of course it is a laughably bad theory. The more completely you arrive, the more vulnerable you become to outbreaks of yearning. Arrival is about being prevented from acting on yearnings, not immunity from experiencing them. The arrival fallacy is a fallacy because a life that is blind to itself, and incapable of being seen, cannot see either. You cannot look out upon life without letting life look in upon you, revealing you to yourself. And to do so is to let in yearning as well.

To be blind to yourself is to be blind to the world itself: there is no true arrival that is distinguishable from death. If you believe you have arrived, and still yearn, be glad. Yearnings are signs of life in an assumed state of arrival.


But those who imagine themselves immune to scripts defined in material terms are not immune to the arrival fallacy. A deeper kind of arrival fallacy has to do with seeking the truest web of relationships. The fact that yearning often begins with transient intimacy can lead to the belief that it is a fundamentally social urge. One that can be satisfied by finding permanent intimacy of some sort. That belief can turn yearning into a quest for enduring intimacy.

The cliched versions of that sort of journey are of course the familiar stories of searching for true love or the true teacher. There is often a motif of home in such stories too. The girl sought turns out to be the hometown girl-next-door who was there all along. The teacher sought turns out to be a parent. The oldest friend turns out to be the truest one. Or to put the whole package together, home turns out to be an entire tradition, and arrival a reaffirmation of tradition.

To these old stories we can add, for our socially mobile and culturally open times, the modern narrative of finding one’s true tribe, of being able to say, these are my people. But the urge to create a new tradition, and arrive with one’s tribe at a new promised land, is as much a case of the arrival fallacy as the urge to reaffirm an existing tradition with one’s life. New traditionalists are still traditionalists.

Adolescent yearners are particularly prone to imagining that their universe of relationships is the only universe that matters. It is a universe that can be explored in all its intricacy and complexity even by the young. Which is why you get those masses of teenagers with aged, world-weary affects and a way of looking at you with such a depth of apparent experience in their soulful eyes that you begin to doubt your own age.

And then they say something so terminally clueless and precious that you are snap back into reality, and realize that they are, sadly, just young traditionalists. Young enough to believe that all the truths of the universe can be found in the eyes of true companions.

The eyes do not have it. Only our primate brains make it seem like eyes are windows into a universe of souls that subsumes the universe of atoms. To be driven by yearning into the hall of mirrors that is the universe of relationships is to lose yourself in a largely empty infinity. Perhaps the only thing sadder than an adolescent who believes life is about deep looks is an old person who has experienced life as nothing but a web of relationships and deep looks: a lived tradition.

And that perhaps is why I find the idea of a home on the Internet comforting: it is a never-ending break from tradition. To make a home online is to quiet yearnings by succumbing to them entirely. To succumb in this way is to be swept up in a zeroth culture where change constitutes a more fundamental layer of reality than tradition and constancy.

The Internet is the opposite of Hotel California. You can leave anytime you like, but you can never arrive. All you can do is allow yourself to be swept along by a stream of shifting perspectives, watching the world evolve in a kaleidoscopic blur, and experiencing yourself as part of that evolving blur.

Nobody said the life with the most truest view had to be coherent as well.

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About Venkatesh Rao

Venkat is the founder and editor-in-chief of ribbonfarm. Follow him on Twitter


  1. Great article, thanks again!
    If you can never “arrive”, can you chart a path/destination/light-on-the-hill?

    • I’d say only away from where you were, not towards where you might end up. Kinda like how they talk about Voyager: with reference to solar system.

  2. Beautifully written and agree with you the internet offers a home where you can find your tribe.

  3. Long-time-listener/first-time-caller: I’ve been thinking about this all morning. Provocative; stimulating; vexing; suggestive. Excellent.

    “The Hero is drawn out of his life by an external force. The yearner is propelled by inner restlessness.” Written and punctuated thus you’ve created a false dichotomy, and lost the essence of the Hero’s Journey, mistaking medium and message as though one is not the expression of the other. The Journey was always interior. The stories were created and passed down to provide a template of symbols by which the listener might glimpse his own psychological tensions, the better to understand his quotidian travails as the timeless heroism of living life. Our lives are the Hero’s Journey writ small.
    The Hero’s return with the Boon is merely a symbol, an implied promise, that the listener will one day return to himself, in psychological unity, to experience life as having purpose and meaning…the arrival fallacy derided in your essay.

    Please be aware how much I enjoyed your essay, Theseus: it haunted my morning but made my day.

    Well done. Thank you, Venkat.

    • I don’t quite buy that. Sure there’s an inner journey and an external expression with Campbell, but the specifics suggest a very different kind of inner journey than yearning journeys (yearneys?). In particular, the inner journey in the monomyth seems to be about resolving a specific inner conflict, not restlessness per se. A never-ending nomadic wandering of open-ended exploration would not be Campbellian in structure, and not just because it would be incomplete without a return (which can be inner/psychological).

      I think the Hero’s Journey is to what I am talking about what general equilibrium macroeconomics is to non-equilibrium macroeconomics.

    • Maybe a modernist 20th century intellectual might believe that there is no outer world at all and therefore neither moral conflicts nor the raw need to apply skill. It is all drives and desires, reflections, interpretations and mediations and those need to be managed within the base structure of the conflict driven triple-partitioned Freudian ego. The moral fables don’t speak to us. They feel kind of naive or treat us as such. We want a hook into our psychological fabric and then we re-imagine the purpose of the canonical texts as such hooks. Higher order desires.

      One of the nice effects of the neurasthenic intellectual culture of the past century is universal empathy. Tonio Kröger might envy Hans and Inge for their naive liveliness, something he lacks but he is compensated with the special gift of feeling into the remotest lives, even those of ancient times and cultures. It might be a still life compared to that of the blond Hans and the funny Inge, one which happens only in the mind but a mind which has become infinitely rich. Hadn’t Tonio Kröger / Thomas Mann already a life-with-a-view? Isn’t it what great authors always used to have even without an Internet home page and lots of social media apps?

  4. Makes me think of trees and rhizomes. The Internet can only be home to rhizomes… Facebook’s attempt to “root” people notwithstanding.

    Where is the button to buy you a coffee? … :)

  5. Kristoffer says

    Nice writing, Venkat. I traveled extensively through Europe as a young man, and the longing you speak of, the need to just go and experience life and bond with folks as they transform from strangers to friends and back again, rings true to me. I can still feel my heart both sing with joy and ache with pain, as it did so many years ago. All of us were trying to reflect upon and grasp the existential ennui we seemed to share as young people in search of…what? Nothing? Anything? Everything. I am not nostalgic, but rather, grateful. Thank you for stirring those vital memories in me once again.

  6. Venkat- I suspect you could probably write a whole followup piece about the nature of the responses a piece like this attracts :p

  7. This piece got me thinking: does anyone have any advice for how to transition from “tourist” to “native”? Specifically for someone who’s once put everything online and now puts nothing?

  8. June Gorman says

    I can’t imagine anything I yearn for less than this disembodied, controlled, disconnected view of “life”. Sorry Venkatesh, but it seems to me, despite all the heady words, like just a cognitive rationalization of human loneliness and its justification for talking yourself into accepting it ; “If you do make a home online, at times the Internet can start to seem like a place of continuous casual intimacy among strangers. That’s part of what makes it more real than the real world.”

    As if “casual intimacy” isn’t itself an oxymoron, an intimacy in a “real” life that itself is safely unreal and protected from true vulnerability and thus safely protected from any true definition of intimacy. One where you can console yourself by ridding that resultant emotional feeling of yearning for it, by abstracting it away; claiming you enter and understand the “wild wood” with maturity and toughness, by engaging in “intimacy”, but one only managed with the armor of a machine between you and the other.

    I suppose it does depend on how you define a truly “wild wood”, and how much emotional courage it takes to enter into it, unarmored ?

    • I think your view will depend on how deeply you’ve managed to delve into online experiences (it’s limitless, and those who hit a wall simply don’t have entree into the deeper warrens).

  9. It’s called spiritual bankruptcy and the evidence is everywhere. People have felt more comfortable expressing their spirit online because of the perceived anonymity online, so you get heartfelt stories and malicious trolls in the turbulent ocean of information we know as “the” internet.

    As 2013 marked the year of open de-anonymization of “the” internet it will be more interesting to see how the more pure spiritual dynamic of “the” internet evolves. In days past, one could move to a new city, state or country to start a fresh life under a fresh identity with nearly clean slate to build anew upon. In today’s world, “the” ephemeral internet has evolved into a very permanent data problem (PDP).

    Personally, I think we’ve experienced some kind of inflection in the dynamic away from “real” identity. De-anonymization and the PDP will surely move many spirits to embrace timeless traditions of real food, real conversations, real sex and real community.

    If there is one persistent characteristic of the human spirit it is its fallibility and the necessity of a forgiveness, forbearance or spiritual bankruptcy reorganization mechanism. Spiritual bankruptcy reorganization isn’t just a new avatar anymore.

  10. Great article once again.

    I’m not sure that experiences on the internet are something that can’t be had in real life but I still grok what you are saying. I wonder if it’s somehow connected to your previous piece on immortality. It stands to reason that living forever with a fixed perspective would be a life not worth living. I’ve often found it strange that fixedness is seen as a virtue but to me it seems like it’s actually an indication that you’ve given up thinking.

  11. Venkat,
    I very much appreciate your thoughts on this. I live in a very remote area on a small homestead I’ve carved out from raw earth–but I make my entire living as a freelance engineer online. Your writing highly resonates with the online reality of my life but the hands-in-the-dirt part is not so easily convinced.

    That latter part of my life is ignited by Wendell Berry’s great essay “It All Turns on Affection”:

    The day-to-day reality of my life falls somewhere in the middle of your writing and Wendell’s, but I’m not sure I’ll ever wrap my head around it. That might be what it means for me “to arrive”, but I’m not really interested in doing so. The joy is in the pursuit, in maximizing the experience of life–and while the internet is a very powerful tool for doing that, it’s also not place you can raise children.

  12. Sorry, I don’t buy this. The Internet is a home like cigarettes or alcohol are homes. It induces a sense of pleasure and familiarity, but it is not a substitute for a sense of place. I think what you have is something common – a diminished sense of rootedness, which is not the same as being rooted in the Internet. You don’t feel a sense of nostalgia for the Internet, for instance. Yearning can be for all sorts of things that have nothing to do with being home.

    • Isn’t this the same old anti-technology argument? Like saying “oh e-books are ok but they’re no substitute for the experience of reading a real book”. Nostalgia is a symptom of experience not a concrete substance that can only apply to certain things. I am certain that a lot of people feel nostalgia for the internet.

      Comparing this to alcohol is a false comparison. Alcohol is used to dull the senses so that people can forget their problems. I doubt people get the same response from using the internet. If anything in the modern day it has the opposite effect: for example, I still read about my ex-wife on Facebook.

      • It is not an anti-technology argument. Science fiction, for instance, is full of examples of intrepid space travellers feeling nostalgic for Earth, the home planet. I buy this completely. The Earth is a place. The Internet is not a place. The analogy doesn’t hold.

        Perhaps Alcohol wasn’t such a good example. The Internet is a means of communication and entertainment. You feel connected with your friends and acquaintainces, but there is really no sentimental relationship with the Internet, or a sense of identification with it. You don’t say – I am Luke. I am from the Internet.

        • But I yearn for my old motorola pager/prodigy/aol! /sarc

          The internet is the reification of social relationships. This stuff has been covered by someone in history; I’m certain of it. The terminal destination is alienation.

          yearn (v.) Look up yearn at Dictionary.com
          Old English giernan (West Saxon), geornan (Mercian), giorna (Northumbrian) “to strive, be eager, desire, seek for, beg, demand,” from Proto-Germanic *gernjan (cognates: Gothic gairnjan “to desire,” German begehren “to desire;” Old High German gern, Old Norse gjarn “desirous,” Old English georn “eager, desirous,” German gern “gladly, willingly”), from PIE root *gher- (5) “to like, want” (see hortatory). Related: Yearned; yearning.

  13. riffed on your internet ideas on my blog here: